Tips of
materials:
This page
does not have the purpose to dictate to norms or rules for the use of
materials for the painting to the oil, watercolor or crayon, but to present
a pigment suggestion, brushes, suport, that I use in my work and that I
consider adequate.
1. MATERIAL FOR
OIL OVER CANVAS PAINTING
PAINTS >> BASIC COLOURS
| Yellow
Red Lemon |
French
Cadmiun Red |
| Yellow
Clearly |
Red
Yellow Chinese |
| Dark
Cadmium |
Alizarim
Crimson |
| Yellow
Ochre |
Cobalt
Blue |
| Indian
Yellow |
Ultramarine
Blue |
| Yellow
of Blue Naples |
Prussian
Blue |
| Orange |
Green Vessie
(Sap Green) |
| Burnt
Sienna |
Green
English Land |
| Burnt
Umber |
White of
Titanium |

>
I would not like to
suggest a brand or other, there good quality oil paints, owing nothing to
the English, Dutch, German, Japanese, American. It is important to mention
that these manufacturers have, in general, two lines of products one for
amateurs and the other one for professionals. Usually I alternate between
the two lines, also why the so-called amateur line also presents a resonable
pigmentation quality.
Brushes and
Other Materials

* A number of 6
or 8 brushes, of synthetic bristle and flate ended.
* The ideal is to purchase
brushes of alternate numbers: # 4, 6, 8, 10
* Some round
brushes, 2 or 3 of
synthetic bristle and of low number, preferably some brushes usually know as fillets
* In that if it
relates to the brushes, good national marks exist, also the mattered ones,
are to the choice of each one are very important that the brushes have
firm bristles, to get preciosion in the act to paint.
>> Other
basic and necessary materials:
-
Double water
pan for placing of kerosene (for brushes cleaning)
-
The
oil mixture of linseed oil and turpentine (to dilute some paints). The
proportion of this mixture varies, but I use a proportion of 2 to 1, or for every two parts of
oil,
one of turpentine.
-
A wooden
pallette for paints (ordered by colors).
-
A piece of
cloth for cleaning
-
Charcoal for
sketching
>>
Important note: the screen with caution must be chosen, will have to be of
fabric of good quality, treated and waterproofed or correct form, therefore
it the screen to dry fast, runs the risk of the finished painting to be dull.
2. MATERIAL PAINT IN
WATERCOLOURS
PAINTS
>> BASIC
COLOURS
| Lemon
Yellow |
Carmine |
| Cadmiun Yellow
Light |
Alizarim
Crimson |
| CadmiunYellow
Deep |
Cobalt
Blue |
| Yellow
Ochre |
Ultramarine
Blue |
| Indian
Yellow |
Prussian
Blue |
| Raw
Sienna |
Green
Vessie (Sap Green) |
| Cad.
Orange |
Olive
Green |
| Burnt
Sienna |
Prussian
Green |
| Burnt
Umber |
Payne´s
Gray |
| Sépia |
|

* Watercolors
must be used the mattered one (English, German, Italian, etc.)
* I only use the
paints in tubes, because I think I can get more fluidity in my work. But the
same colors are availabre in tablets, of the same manufacturers
and of equal quality. The separation amateur and professionals is also
present at the main manufacturers and at watercolor painting it is important
that you use the professionals line.
Brushes and
Others Materials
* The brushes must
be soft, being the ideal the use of 4 or 6 units with flat, synthetic
bristles.
Some round ones are needed, from 4 to 6 units also, keeping up with the
suggestion of numbering # 2, 4, 6.
* A low number
brush and a fillets one is also needed.
Other materials:
-
A plastic or
similar material palette, for placing the paints.
-
Pencil for a fast sketch.
-
Soft cloth for cleanning
the brushes and drying out excess water.
-
A bowl for
the water. The water to be used must rather be filtered or distilled, so
that the paper is not subjetc to mold.
-
Ribbon crepe,
to fix the paper in the support (wood or plastic)
-
Last the
paper, or extreme importance, because it must have a considerable weight, 280 or 300
grams, minimun to be appropriate for watercolor use
solely and rather be constitued of cotton or mixed fibers. The texture
of this paper can vary, being falt, wrinkled punched. Unfortunately due
to its cost, recommend the important dones. The domestic ones, I use
only tests.
>
The
colours that I related are of my preference, but nothing it hinders
watercolours artist add color of its personal taste, the
same happening with brushes that better if adapte to its style. It is very
important to make tests of color, brushes, to use the material best for a
finished workmanship. Should
you have any doubts, please contact: seabrastudio@hotmail.com